Installation / 2026
We shape visual experiences through light, moving image, spatial design and live performance.
KOR BOR VOR IS A BANGKOK-BASED STUDIO WORKING BETWEEN ART, DESIGN, TECHNOLOGY, AND PRODUCTION. FORMALLY ESTABLISHED IN 2012, THE STUDIO DEVELOPS VISUAL SYSTEMS AND SPATIAL EXPERIENCES THAT MOVE FROM CONCEPT AND CREATIVE DIRECTION THROUGH TO PRODUCTION AND ON-SITE DELIVERY.
ITS PRACTICE SPANS NEW MEDIA ART, LIGHT INSTALLATION, PROJECTION MAPPING, IMMERSIVE ENVIRONMENTS, EXHIBITIONS, CONCERTS, LIVE VISUALS, AND MOVING-IMAGE CONTENT.
A NEW-MEDIA ARTIST WHOSE PRACTICE GREW FROM GRAPHIC DESIGN INTO MOTION VISUALS, PROJECTION MAPPING, LIGHT, INSTALLATION, AND LIVE PERFORMANCE. AS FOUNDER AND CREATIVE DIRECTOR, HE LEADS THE STUDIO'S CONCEPTS, VISUAL LANGUAGE, AND EXPERIMENTAL DIRECTION.
A PRODUCER WITH EXPERIENCE ACROSS COMMERCIAL FILM AND EARLY KOR BOR VOR PROJECTS. AS CO-FOUNDER AND PRODUCER, SHE LEADS PLANNING, COORDINATION, PRODUCTION, AND DELIVERY—CONNECTING CREATIVE AMBITION WITH TEAMS, PARTNERS, SCHEDULES, AND THE REALITIES OF EACH SITE.
KOR BOR VOR VISUAL LABEL CO., LTD. / INCORPORATED IN BANGKOK ON 31 JANUARY 2012
Can a familiar form feel new again when we are invited to stand beneath it differently?
In a world that keeps asking us to move faster, can a space quietly teach us to slow down?
For three nights, a polished corner of Bangkok was asked to imagine its own collapse.
A passage is usually somewhere between two places. Light gives this one a reason to become the destination.
How can a familiar landmark feel new for one night without changing a single surface?
USE THE ARROWS OR SCROLL TO EXPLORE
SELECTED AND ARCHIVED PROJECTS IN LIGHT, IMAGE, SPACE AND PERFORMANCE.
001 VIDEOA name, released from the surface and set in motion.
002 VIDEOThe brighter a city becomes, the less of the night sky we can see.
003 VIDEOA festival begins long before the first track—with the way people find one another on the ground.
004 VIDEOWhat if light did more than brighten a room—and rebuilt the room around us instead?
005 VIDEOWe often look at Thai ornament as decoration. What might we hear if we treated it as rhythm?
006 VIDEOA window usually separates us from the city. Here, light brings the city back into the room.
007 VIDEOCan a familiar form feel new again when we are invited to stand beneath it differently?
008 VIDEOWhen six familiar voices meet an orchestra, the light does not need to speak louder.
009 VIDEOHow can five creative disciplines share one room without asking any of them to step aside?
010 VIDEOIn a world that keeps asking us to move faster, can a space quietly teach us to slow down?
Fear does not travel intact from one culture to another. It has to learn a new sense of time.
012 VIDEOWhat should a railway station become after the city no longer waits for trains there?
013 VIDEOFor three nights, a polished corner of Bangkok was asked to imagine its own collapse.
014 VIDEOAt what moment does an object stop being useful—and who gets to decide?
015 VIDEOBefore a city tears an old structure down, perhaps it should ask whether anyone still wants to gather there.
A passage is usually somewhere between two places. Light gives this one a reason to become the destination.
017 VIDEOA building can remain standing for decades and still disappear from the life of a city.
Some landmarks are hidden not by distance, but by how familiar we have become with passing them.
PROJECTS / COLLABORATIONS / COMMISSIONS